Martin Newth
mail@martinnewth.com
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Crisis of Reason. Two identical and adjoining life size cardboard rooms function as a giant camera obscura. By lining one of the back walls with photosensitive paper the construction photographed itself - recording both the silhouhette of the furniture within the one room and the inverted photographic image of the adjoining room. The resulting lifesize images use a strong play of light and shadow to describe several coexisting layers of space infused with a mood of quiet solitude.

     
   
     
   
     
   
     
   
     
     
     
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